{"id":30596,"date":"2026-10-06T18:44:53","date_gmt":"2026-10-06T18:44:53","guid":{"rendered":"https:\/\/mohamadazize.com\/?page_id=30596"},"modified":"2026-10-16T11:42:19","modified_gmt":"2026-10-16T11:42:19","slug":"coupures-de-presse-2","status":"publish","type":"page","link":"https:\/\/mohamadazize.com\/fr\/coupures-de-presse-2\/","title":{"rendered":"Coupures de presse"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"30596\" class=\"elementor elementor-30596\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2c0981e e-flex e-con-boxed e-con e-parent\" data-id=\"2c0981e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-57c3a12 e-con-full e-flex e-con e-child\" data-id=\"57c3a12\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-445c6c2 elementor-widget elementor-widget-haru-heading\" data-id=\"445c6c2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"haru-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"haru-heading-title haru-heading-title--heading-3\">Coupures de presse<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0114e58 elementor-widget elementor-widget-haru-heading\" data-id=\"0114e58\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"haru-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"haru-heading-title haru-heading-title--description-4\">C\u00e9l\u00e9br\u00e9 dans la presse locale et internationale, Mohamad Azize partage \u00e0 travers son art une philosophie fa\u00e7onn\u00e9e par la nature, les r\u00eaves et les moments marquants de l'histoire et de la vie.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8006c11 e-con-full e-flex e-con e-child\" data-id=\"8006c11\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6bfce99 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"6bfce99\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e47cd7f e-flex e-con-boxed e-con e-parent\" data-id=\"e47cd7f\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-a84959c e-con-full e-flex e-con e-child\" data-id=\"a84959c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-119b988 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"119b988\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>C\u00e9l\u00e9br\u00e9 dans la presse locale et internationale, ainsi que dans des magazines et des revues culturelles, Mohamad Azize a, tout au long de plusieurs d\u00e9cennies de pr\u00e9sence artistique et m\u00e9diatique, partag\u00e9 une philosophie de l\u2019art profond\u00e9ment ancr\u00e9e dans le lien entre la m\u00e9moire, l\u2019identit\u00e9 et l\u2019exp\u00e9rience humaine. Dans de nombreuses interviews et articles qui lui ont \u00e9t\u00e9 consacr\u00e9s, il a pr\u00e9sent\u00e9 l\u2019art comme bien plus qu\u2019une simple pratique visuelle : c\u2019est un langage de pr\u00e9servation, un pont entre les g\u00e9n\u00e9rations et le reflet des r\u00e9alit\u00e9s en constante \u00e9volution de la vie. Ses \u0153uvres ont souvent \u00e9t\u00e9 d\u00e9crites comme le prolongement de son dialogue int\u00e9rieur avec le monde, chaque composition portant en elle les traces de l\u2019histoire, des \u00e9motions et de la conscience culturelle.  <\/p><p>S&#8217;inspirant des paysages du Liban, de la symbolique des r\u00eaves et des \u00e9v\u00e9nements marquants du pass\u00e9 et du pr\u00e9sent, Azize transforme ses exp\u00e9riences v\u00e9cues en r\u00e9cits visuels intemporels. Son parcours artistique refl\u00e8te une exploration constante de la beaut\u00e9 de la nature, de la complexit\u00e9 des \u00e9motions humaines et de la force durable du patrimoine. \u00c0 travers ses peintures et ses r\u00e9flexions publiques, il continue d\u2019affirmer que l\u2019art n\u2019est pas seulement un moyen d\u2019expression, mais aussi une mani\u00e8re de t\u00e9moigner de l\u2019esprit d\u2019une \u00e9poque, en capturant des instants, des souvenirs et des significations qui, sans cela, risqueraient de s\u2019estomper avec le temps.  <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4397a26 e-con-full e-flex e-con e-parent\" data-id=\"4397a26\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9a1e05f elementor-widget elementor-widget-ucaddon_card_carousel\" data-id=\"9a1e05f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"ucaddon_card_carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\n<!-- start Card Carousel -->\n\t\t<link id='font-awesome-css' href='https:\/\/mohamadazize.com\/wp-content\/plugins\/unlimited-elements-for-elementor\/assets_libraries\/font-awesome6\/fontawesome-all.min.css' type='text\/css' rel='stylesheet' >\n\t\t<link id='font-awesome-4-shim-css' href='https:\/\/mohamadazize.com\/wp-content\/plugins\/unlimited-elements-for-elementor\/assets_libraries\/font-awesome6\/fontawesome-v4-shims.min.css' type='text\/css' rel='stylesheet' >\n\t\t<link id='owl-carousel-css' href='https:\/\/mohamadazize.com\/wp-content\/plugins\/unlimited-elements-for-elementor\/assets_libraries\/owl-carousel-new\/assets\/owl.carousel.css' type='text\/css' rel='stylesheet' >\n\t\t<link id='uc_ac_assets_file_animate_css_77907-css' href='https:\/\/mohamadazize.com\/wp-content\/uploads\/ac_assets\/uc_classic_carousel\/animate.css' type='text\/css' rel='stylesheet' >\n\n<style>\/* widget: Card Carousel *\/\n\n#uc_card_carousel_elementor_9a1e05f-wrapper{\n  min-height:1px;\n}\n\n#uc_card_carousel_elementor_9a1e05f *{\n\t-webkit-box-sizing: border-box;\n\t-moz-box-sizing: border-box;\n\tbox-sizing: border-box;\n}\n\n#uc_card_carousel_elementor_9a1e05f .ue-carousel-item{\n  overflow:hidden;\n  transition:0.3s;\n}\n\n#uc_card_carousel_elementor_9a1e05f .uc_classic_carousel_container_holder{\n\tdisplay:block;\n\tposition:relative;\n\twidth:100%;\n    box-sizing: border-box;\n}\n#uc_card_carousel_elementor_9a1e05f .uc_classic_carousel_placeholder{\n   position:relative;\n}\n\n\n#uc_card_carousel_elementor_9a1e05f .uc_classic_carousel_placeholder img, #uc_card_carousel_elementor_9a1e05f .ue_card_carousel_image_overlay{\n  transition: all 300ms;\n}\n\n.card_carousel_title{\n\tfont-size:21px;\n}\n\n.uc_classic_carousel .uc_classic_carousel_border{\n\tdisplay:block;\n    margin:0 auto;\n}\n\n.uc_classic_carousel  .uc_classic_carousel_placeholder img{\n\twidth:100%;    \n    display:block;\n}\n\n.uc_classic_carousel .uc_classic_carousel_content{\n  display: flex;\n  flex-flow: column nowrap;\n}\n\n.uc_classic_carousel .ue_button{\n  margin-top:auto;\n}\n\n.uc_classic_carousel .uc_classic_carousel_content .uc_more_btn {\n\tdisplay:inline-block;\n\ttext-decoration:none;\n\ttransition: all 0.5s ease;\n}\n\n#uc_card_carousel_elementor_9a1e05f .owl-dots {\n  overflow:hidden;\n  text-align:center;\n}\n\n#uc_card_carousel_elementor_9a1e05f .owl-dot {\n  border-radius:50%;\n  display:inline-block;\n}\n\n#uc_card_carousel_elementor_9a1e05f .owl-nav .owl-prev,\n#uc_card_carousel_elementor_9a1e05f .owl-nav .owl-next{\n    position:absolute;\n    display:flex;\n  \tjustify-content: center;\n  \talign-items: center;\n    text-align:center;\n}\n\n#uc_card_carousel_elementor_9a1e05f .owl-nav .disabled{\n    display: none;  \n}\n\n\n#uc_card_carousel_elementor_9a1e05f .ue-item-icon{\n  line-height:1em;\n  display:inline-flex;\n  justify-content:center;\n  align-items:center; 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This feature on the revolution's artistic face includes Mohamad Azize's raw acrylic depiction of the uprising, one of the works chosen to show how Lebanese artists turned anger into imagery.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item2\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-a4ccd66\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607530_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607530_page-0001-768x1086.jpg\" alt=\"SKM_C45826051607530_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Five Eras of Creation: From Academic Rigor to the Explosion of Color (Archival Interview \/ Press Feature)<\/div>\n        <div class=\"card_carousel_text\">Across five distinct artistic lifetimes \u2014 from co-founding Tripoli\u2019s legendary 'Group of Ten' to surviving war and reinventing landscape \u2014 this deep-dive interview captures Mohamad Azize laying bare the soul behind his brush, the weight of a generation, and what it truly takes to make art in Lebanon.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item3\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-7ddcc1a\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607580_page-0001-768x532.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607580_page-0001-768x532.jpg\" alt=\"SKM_C45826051607580_page-0001\" width=\"768\" height=\"532\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Soul on Canvas: An Intimate Conversation on Art and Generations (Archival Publication \/ Review)<\/div>\n        <div class=\"card_carousel_text\">Ask him what makes a work of art distinctly Lebanese, and Mohamad Azize won't give you a simple answer \u2014 this candid interview digs into his favorite portraits, and the quieter struggles of teaching a new generation while sitting on the juries that judge them.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item4\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-bb02d5a\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u062d\u062f7-\u0623\u0630\u0627\u0631-1976-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1088.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u062d\u062f7-\u0623\u0630\u0627\u0631-1976-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1088.jpg\" alt=\"\u0627\u0644\u0627\u0654\u062d\u062f7 \u0627\u0654\u0630\u0627\u0631 -1976-\u0641\u064a\u0635\u0644 \u0633\u0644\u0637\u0627\u0646_page-0001\" width=\"768\" height=\"1088\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The 1976 Manifesto on Art and War (Al-Ahad Newspaper \u2014 March 7, 1976)<\/div>\n        <div class=\"card_carousel_text\">Before the canvas turned abstract, there was the shock of war. In this stark 1976 feature, a young Mohamad Azize breaks away from imported commercial aesthetics, declaring that an artist can no longer remain a spectator while his country burns \u2014 demanding an art born from genuine human suffering.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item5\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-504624d\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-10-11-1993-\u0646\u0627\u062f\u064a-\u0646\u0635\u0627\u0631_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-10-11-1993-\u0646\u0627\u062f\u064a-\u0646\u0635\u0627\u0631_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0627\u0654\u0631\u0628\u0639\u0627\u0621 10-11-1993-\u0646\u0627\u062f\u064a \u0646\u0635\u0627\u0631_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">A Journey Through Eras: A New Dawn in the Master\u2019s Palette (Al-Arbia Newspaper \u2014 November 10, 1993)<\/div>\n        <div class=\"card_carousel_text\">Tracing Mohamad Azize\u2019s evolution from his academic roots and the pioneering 'Group of Ten' to war-torn abstracts and radiant spring palettes, Nadia Nassar's 1993 review unpacks how an artist transforms raw geography and memory into pure spiritual geometry.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item6\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-1207120\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0646\u0648\u0627\u0631-\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-1-5-2005-\u062c\u0648\u0631\u062c-\u0632\u0639\u0646\u064a_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0646\u0648\u0627\u0631-\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-1-5-2005-\u062c\u0648\u0631\u062c-\u0632\u0639\u0646\u064a_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0627\u0654\u0646\u0648\u0627\u0631 - \u0627\u0644\u0627\u0654\u0631\u0628\u0639\u0627\u0621 1-5-2005-\u062c\u0648\u0631\u062c \u0632\u0639\u0646\u064a_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Great Awakening: From Figuration to Bold Abstraction (Al-Anwar Newspaper \u2014 May 1, 2005)<\/div>\n        <div class=\"card_carousel_text\">Prestige magazine called it his 'awakening' \u2014 the moment Mohamad Azize's art broke free from the figurative and leapt into bold, impulsive abstraction. This 1995 feature traces his journey from North Lebanon to his most daring show yet at the Gab Center. (Note: the file itself is dated Prestige, April 1995 \u2014 not Al-Anwar 2005 as the filename suggests.)<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item7\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-c67225d\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0646\u0648\u0627\u0631-1999-\u0632\u064a\u0646\u0628-\u062d\u0645\u0648\u062f_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0646\u0648\u0627\u0631-1999-\u0632\u064a\u0646\u0628-\u062d\u0645\u0648\u062f_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0627\u0654\u0646\u0648\u0627\u0631-1999-\u0632\u064a\u0646\u0628 \u062d\u0645\u0648\u062f_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Whispers of the Horizon: Sails, Tides, and Memory in the Artist's Mirror (Al-Anwar Newspaper \u2014 April 8, 1999)<\/div>\n        <div class=\"card_carousel_text\">Open seas, drifting sails, glowing coastlines \u2014 Zaynab Hammoud's 1999 review finds Mohamad Azize turning longing itself into color at the Tawfiq Tabbara Center, where memory does the work realism usually does.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item8\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-d56b3b8\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0646\u0648\u0631-17-\u0634\u0628\u0627\u0637-1995_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0623\u0646\u0648\u0631-17-\u0634\u0628\u0627\u0637-1995_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0627\u0654\u0646\u0648\u0631 17 \u0634\u0628\u0627\u0637 1995_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Painting with Light: The Artist Capturing Illumination (Al-Nour Newspaper \u2014 February 17, 1995)<\/div>\n        <div class=\"card_carousel_text\">Some painters chase form. This one chases light \u2014 a 1995 feature that catches Mohamad Azize mid-exhibition, working the canvas the way a photographer works exposure.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item9\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-975baba\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0628\u0646\u0627\u0621-14-2-1981_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0628\u0646\u0627\u0621-14-2-1981_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0628\u0646\u0627\u0621-14-2-1981_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Early Ascent: Breaking Beyond Familiar Borders (Al-Binaa Newspaper \u2014 February 14, 1981)<\/div>\n        <div class=\"card_carousel_text\">By his mid-twenties, Mohamad Azize had already outgrown Lebanon's borders \u2014 this early dossier catches him mid-ascent, trained at Beirut's Institute of Fine Arts and already exhibiting abroad before most painters finish building a local reputation.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item10\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-b2436d3\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062a\u0645\u062f\u0646-\u062c\u062f\u0629-2000-\u0648\u0631\u062f\u0629-\u0627\u0644\u0628\u0643\u0631\u064a_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062a\u0645\u062f\u0646-\u062c\u062f\u0629-2000-\u0648\u0631\u062f\u0629-\u0627\u0644\u0628\u0643\u0631\u064a_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u062a\u0645\u062f\u0646 \u062c\u062f\u0629 2000-\u0648\u0631\u062f\u0629 \u0627\u0644\u0628\u0643\u0631\u064a_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Trailblazer: From Tripoli to International Galleries (Al-Tamaddun Publication (Jeddah) \u2014 2000)<\/div>\n        <div class=\"card_carousel_text\">People in Jeddah are still talking about it. This piece follows the trail that got him there \u2014 a founding member of Tripoli's 'Group of Ten' who somehow also found time to study in Paris, and a career spent quietly shaping the next generation of Lebanese painters.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item11\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-0547f16\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-\u0627\u0644\u0623\u062d\u062f-22-\u0634\u0628\u0627\u06371981_page-0001-768x1084.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-\u0627\u0644\u0623\u062d\u062f-22-\u0634\u0628\u0627\u06371981_page-0001-768x1084.jpg\" alt=\"\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-\u0627\u0644\u0627\u0654\u062d\u062f 22 \u0634\u0628\u0627\u06371981_page-0001\" width=\"768\" height=\"1084\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Beyond Geography: Colors That Evoke Memory (Al-Thulatha Newspaper \u2014 February 22, 1981)<\/div>\n        <div class=\"card_carousel_text\">These aren't postcards. This review of Azize's exhibition makes the case that his farms and fields carry more feeling than geography \u2014 color used less to depict a place than to remember one.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item12\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-b70421a\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062d\u0633\u0646\u0627\u0621-2-13-1981_page-0001-768x1248.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062d\u0633\u0646\u0627\u0621-2-13-1981_page-0001-768x1248.jpg\" alt=\"\u0627\u0644\u062d\u0633\u0646\u0627\u0621 2-13-1981_page-0001\" width=\"768\" height=\"1248\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Color and Horizon: Forty Canvases Capturing the Soul of Lebanese Nature (Al-Hasnaa Magazine \u2014 February 1981)<\/div>\n        <div class=\"card_carousel_text\">Stepping beyond group showcases, this 1981 review celebrates Mohamad Azize\u2019s solo exhibition at the 'Al-Yassar' gallery, where forty oil paintings merge transparent abstraction with local geographic lyricism \u2014 showcasing the award-winning young artist's quest for an authentic Lebanese visual identity.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item13\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-14a78e9\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062d\u064a\u0627\u0629-\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-26-\u062d\u0632\u064a\u0631\u0627\u0646-1996-\u062f.\u0645\u0647\u0649-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1248.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u062d\u064a\u0627\u0629-\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-26-\u062d\u0632\u064a\u0631\u0627\u0646-1996-\u062f.\u0645\u0647\u0649-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1248.jpg\" alt=\"\u0627\u0644\u062d\u064a\u0627\u0629-\u0627\u0644\u0627\u0654\u0631\u0628\u0639\u0627\u0621 26 \u062d\u0632\u064a\u0631\u0627\u0646 1996-\u062f\" width=\"768\" height=\"1248\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Quiet Poetry of Objects: A Deep Dive into Still Life (Al-Hayat Newspaper \u2014 June 26, 1996)<\/div>\n        <div class=\"card_carousel_text\">A serious critical take on Azize's still lifes \u2014 flowers, books, quiet interiors \u2014 that goes beyond 'pretty picture' to ask what composition itself means.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item14\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-88e787e\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0628\u062a-202-1980_page-0001-768x544.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0628\u062a-202-1980_page-0001-768x544.jpg\" alt=\"\u0627\u0644\u0633\u0628\u062a 202-1980_page-0001\" width=\"768\" height=\"544\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Ahead of His Time: An Early International Footprint (Al-Sabat Magazine (Issue No. 202) \u2014 1980)<\/div>\n        <div class=\"card_carousel_text\">Barely 30 years old, and already showing alongside artists a continent away. This 1980 piece is a snapshot of a career already outpacing its own timeline \u2014 group exhibitions from Morocco to Greece before most painters have found their first gallery.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item15\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-929cedf\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0628\u062a-2003-\u0627\u0644\u0639\u062f\u062f-129-\u062c\u0631\u064a\u062f\u0629-\u062d\u0631\u0645\u0648\u0646_page-0001-768x543.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0628\u062a-2003-\u0627\u0644\u0639\u062f\u062f-129-\u062c\u0631\u064a\u062f\u0629-\u062d\u0631\u0645\u0648\u0646_page-0001-768x543.jpg\" alt=\"\u0627\u0644\u0633\u0628\u062a 2003-\u0627\u0644\u0639\u062f\u062f 129-\u062c\u0631\u064a\u062f\u0629 \u062d\u0631\u0645\u0648\u0646_page-0001\" width=\"768\" height=\"543\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Art and Principles: Why Creation Isn't for Sale on Demand (Harmoun Newspaper \/ Al-Sabat Magazine (Issue No. 129) \u2014 2003)<\/div>\n        <div class=\"card_carousel_text\">'I can't market my own painting \u2014 I only exhibit.' In this candid feature on the state of Lebanese art exhibitions, Mohamad Azize doesn't sugarcoat the art market's problems, taking a clear stand on what he will and won't do to sell his work.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item16\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-65ba480\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0634\u0628\u0627\u0637-1995-\u0623\u062d\u0645\u062f-\u0628\u0632\u0648\u0646-\u063a\u0627\u0644\u064a\u0631\u064a-\u0628\u0646\u0639\u0627\u0632\u064a_page-0001-768x555.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0634\u0628\u0627\u0637-1995-\u0623\u062d\u0645\u062f-\u0628\u0632\u0648\u0646-\u063a\u0627\u0644\u064a\u0631\u064a-\u0628\u0646\u0639\u0627\u0632\u064a_page-0001-768x555.jpg\" alt=\"\u0627\u0644\u0633\u0641\u064a\u0631 - \u0634\u0628\u0627\u0637 1995-\u0627\u0654\u062d\u0645\u062f \u0628\u0632\u0648\u0646 \u063a\u0627\u0644\u064a\u0631\u064a \u0628\u0646\u0639\u0627\u0632\u064a_page-0001\" width=\"768\" height=\"555\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Emotional Freedom Versus Disciplined Control (As-Safir Newspaper \u2014 February 1995)<\/div>\n        <div class=\"card_carousel_text\">45 paintings and one sculpture, and a critic zeroing in on the tension driving all of them: raw emotional freedom versus disciplined control. This review traces how Azize moved from realistic village scenes toward bolder, more abstract color and geometry.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item17\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-e31101f\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-7-\u0646\u064a\u0633\u0627\u0646-1999-\u0627\u0644\u0639\u062f\u062f-8277_page-0001-768x1088.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u0623\u0631\u0628\u0639\u0627\u0621-7-\u0646\u064a\u0633\u0627\u0646-1999-\u0627\u0644\u0639\u062f\u062f-8277_page-0001-768x1088.jpg\" alt=\"\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u0627\u0654\u0631\u0628\u0639\u0627\u0621 7 \u0646\u064a\u0633\u0627\u0646 1999-\u0627\u0644\u0639\u062f\u062f 8277_page-0001\" width=\"768\" height=\"1088\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">On the Grand Stage: Exhibiting at the UNESCO Palace (As-Safir Newspaper (Issue No. 8277) \u2014 April 7, 1999)<\/div>\n        <div class=\"card_carousel_text\">The UNESCO Palace in Beirut doesn't host just anyone. This piece covers a major group show there \u2014 a lineup of Lebanon's leading painters, Azize included, sharing walls with the country's biggest names.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item18\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-7e56fbc\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u0625\u062b\u0646\u064a\u0646-11-9-1978-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u0625\u062b\u0646\u064a\u0646-11-9-1978-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u0627\u0655\u062b\u0646\u064a\u0646 11-9-1978-\u0641\u064a\u0635\u0644 \u0633\u0644\u0637\u0627\u0646_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Village Roots: The Boy From a Lebanese Village Who Found His Canvas (As-Safir Newspaper \u2014 September 11, 1978)<\/div>\n        <div class=\"card_carousel_text\">Before the institute, before the university \u2014 there was just a boy in a Lebanese village who couldn't stop drawing. This early profile traces Azize's roots back to a self-taught, instinctive talent shaped by village life, long before formal training.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item19\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-4349759\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u062e\u0645\u064a\u0633-9-10-1987-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1248.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u062e\u0645\u064a\u0633-9-10-1987-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1248.jpg\" alt=\"\u0627\u0644\u0633\u0641\u064a\u0631-\u0627\u0644\u062e\u0645\u064a\u0633-9-10-1987-\u0641\u064a\u0635\u0644 \u0633\u0644\u0637\u0627\u0646_page-0001\" width=\"768\" height=\"1248\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Beyond Labels: Why the Artist Refuses to Be Boxed In (As-Safir Newspaper \u2014 October 9, 1987)<\/div>\n        <div class=\"card_carousel_text\">Ask Mohamad Azize which school of painting he belongs to, and the honest answer is none of them \u2014 this 1987 interview finds him defending the freedom to answer to no movement but his own.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item20\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-e2f94ba\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u063112-2-1981-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1248.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u0641\u064a\u063112-2-1981-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1248.jpg\" alt=\"\u0627\u0644\u0633\u0641\u064a\u063112-2-1981-\u0641\u064a\u0635\u0644 \u0633\u0644\u0637\u0627\u0646_page-0001\" width=\"768\" height=\"1248\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Impression, Abstraction, and the Return to Nature (As-Safir Newspaper \u2014 February 12, 1981)<\/div>\n        <div class=\"card_carousel_text\">Faisal Sultan came to review 'Color and Horizon' expecting landscape painting \u2014 what he found was a young Tripoli artist quietly rewriting the rules, letting impressionist light collide with abstract rhythm until geography stopped being the point.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item21\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-82ab17e\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u064a\u0627\u0633\u0629-\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-10-5-2004-\u0644\u064a\u0646\u062f\u0627-\u0639\u062b\u0645\u0627\u0646_page-0001-768x543.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0633\u064a\u0627\u0633\u0629-\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-10-5-2004-\u0644\u064a\u0646\u062f\u0627-\u0639\u062b\u0645\u0627\u0646_page-0001-768x543.jpg\" alt=\"\u0627\u0644\u0633\u064a\u0627\u0633\u0629-\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-10-5-2004-\u0644\u064a\u0646\u062f\u0627 \u0639\u062b\u0645\u0627\u0646_page-0001\" width=\"768\" height=\"543\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Evolution of Vision: Four Eras and the Vanishing Old Souks (As-Siyassa Newspaper \u2014 May 10, 2004)<\/div>\n        <div class=\"card_carousel_text\">'He paints faces in the blink of an eye.' This deep profile traces Azize's work through four distinct phases \u2014 and reveals what's driving the fifth: Tripoli's vanishing old streets and souks, caught between raw realism and pure abstraction.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item22\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-1af4564\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0641\u0627\u0631\u0633-\u0623\u0628-1996-\u0631\u064a\u0645\u0627-\u0646\u063a\u0648\u0644_page-0001-768x543.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0641\u0627\u0631\u0633-\u0623\u0628-1996-\u0631\u064a\u0645\u0627-\u0646\u063a\u0648\u0644_page-0001-768x543.jpg\" alt=\"\u0627\u0644\u0641\u0627\u0631\u0633-\u0627\u0654\u0628 1996 -\u0631\u064a\u0645\u0627 \u0646\u063a\u0648\u0644_page-0001\" width=\"768\" height=\"543\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Studio Solitary: A Candid Look at War, Art, and Isolation (Al-Faris Magazine \u2014 August 1996)<\/div>\n        <div class=\"card_carousel_text\">'I paint as if I'm singing \u2014 and no one visits me.' One of the most personal interviews he ever gave: his childhood in a Lebanese village, why he refuses to sell on demand, 17 lost years during the war, and a quiet, disciplined ritual of working completely alone in his studio.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item23\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-0a6bfd6\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0641\u062c\u0631-\u0628\u064a\u0631\u0648\u062a-12\u0623\u064a\u0627\u0631-1987_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0641\u062c\u0631-\u0628\u064a\u0631\u0648\u062a-12\u0623\u064a\u0627\u0631-1987_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0641\u062c\u0631-\u0628\u064a\u0631\u0648\u062a-12\u0627\u0654\u064a\u0627\u0631-1987_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Faces and Memory: The Philosophy of Portraiture and the Artist's Five Eras (Al-Fajr Newspaper (Beirut) \u2014 May 12, 1987)<\/div>\n        <div class=\"card_carousel_text\">For Mohamad Azize, a face is never just a face \u2014 this 1987 conversation traces his path from the alleyways of Tripoli and the founding of the 'Group of Ten' to a conviction that portraiture is really psychology in disguise.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item24\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-2f9bb7e\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607490_page-0001-768x543.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607490_page-0001-768x543.jpg\" alt=\"SKM_C45826051607490_page-0001\" width=\"768\" height=\"638\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Floral Symphony: Looking Beyond the \"Pretty Picture\" Label (Al-Qabas Newspaper (Issue No. 7807) \u2014 March 17, 1995)<\/div>\n        <div class=\"card_carousel_text\">Why paint flowers, of all things? This feature on his floral still lifes \u2014 quiet bouquets in soft, luminous color \u2014 makes the case for looking past the 'pretty picture' label.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item25\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-caa94d7\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0644\u0648\u0627\u0621-\u0627\u0644\u0623\u062d\u062f-8-\u0634\u0628\u0627\u0637-1981_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0644\u0648\u0627\u0621-\u0627\u0644\u0623\u062d\u062f-8-\u0634\u0628\u0627\u0637-1981_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0644\u0648\u0627\u0621 -\u0627\u0644\u0627\u0654\u062d\u062f 8 \u0634\u0628\u0627\u0637 1981_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Geometric Metamorphosis: Breaking Familiar Objects into Pure Form (Al-Liwaa Newspaper \u2014 February 8, 1981)<\/div>\n        <div class=\"card_carousel_text\">From recognizable village scenes to fractured, structural abstraction \u2014 this piece catches Azize mid-transformation, as familiar objects break apart into pure geometric form.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item26\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-aa5dbc0\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0644\u0648\u0627\u0621-8-\u062d\u0632\u064a\u0631\u0627\u0646-1996-\u0645\u0646-\u0635\u0627\u0644\u0629-\u0633\u062a\u0627\u0633\u062a\u064a\u0648\u0646-\u062f\u064a-\u0632\u0627\u0631\u062a-\u0632\u0647\u064a\u0631-\u063a\u0627\u0646\u0645_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0644\u0648\u0627\u0621-8-\u062d\u0632\u064a\u0631\u0627\u0646-1996-\u0645\u0646-\u0635\u0627\u0644\u0629-\u0633\u062a\u0627\u0633\u062a\u064a\u0648\u0646-\u062f\u064a-\u0632\u0627\u0631\u062a-\u0632\u0647\u064a\u0631-\u063a\u0627\u0646\u0645_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0644\u0648\u0627\u0621-8 \u062d\u0632\u064a\u0631\u0627\u0646 1996-\u0645\u0646 \u0635\u0627\u0644\u0629 \u0633\u062a\u0627\u0633\u062a\u064a\u0648\u0646 \u062f\u064a \u0632\u0627\u0631\u062a \u0632\u0647\u064a\u0631 \u063a\u0627\u0646\u0645_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Architecture of Color: Building Harmony Layer by Layer (Al-Liwaa Newspaper \u2014 June 8, 1996)<\/div>\n        <div class=\"card_carousel_text\">A technical deep-dive into how Azize actually builds his color harmonies \u2014 less about what he paints, more about how the color itself is constructed, layer by layer.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item27\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-81fac96\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0644\u0648\u0627\u0621-\u0623\u0630\u0627\u0631-1999-\u0645\u0646-\u0645\u0639\u0631\u0636-\u0627\u0644\u0645\u0624\u0633\u0633\u0629-\u0627\u0644\u0639\u0631\u0628\u064a\u0629-\u0644\u0644\u062b\u0642\u0627\u0641\u0629-\u0648\u0627\u0644\u0641\u0646\u0648\u0646-\u0645\u0631\u0643\u0632-\u0643\u0628\u0627\u0631\u0629-\u0632\u0647\u064a\u0631-\u063a\u0627\u0646\u0645_page-0001-768x542.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0644\u0648\u0627\u0621-\u0623\u0630\u0627\u0631-1999-\u0645\u0646-\u0645\u0639\u0631\u0636-\u0627\u0644\u0645\u0624\u0633\u0633\u0629-\u0627\u0644\u0639\u0631\u0628\u064a\u0629-\u0644\u0644\u062b\u0642\u0627\u0641\u0629-\u0648\u0627\u0644\u0641\u0646\u0648\u0646-\u0645\u0631\u0643\u0632-\u0643\u0628\u0627\u0631\u0629-\u0632\u0647\u064a\u0631-\u063a\u0627\u0646\u0645_page-0001-768x542.jpg\" alt=\"\u0627\u0644\u0644\u0648\u0627\u0621-\u0627\u0654\u0630\u0627\u0631 1999 \u0645\u0646 \u0645\u0639\u0631\u0636 \u0627\u0644\u0645\u0648\u0654\u0633\u0633\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u0644\u062b\u0642\u0627\u0641\u0629 \u0648\u0627\u0644\u0641\u0646\u0648\u0646 \u0645\u0631\u0643\u0632 \u0643\u0628\u0627\u0631\u0629-\u0632\u0647\u064a\u0631 \u063a\u0627\u0646\u0645_page-0001\" width=\"768\" height=\"542\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Gardens of the Mind: Art That Refuses to Repeat Itself (Al-Liwaa Newspaper \u2014 March 1999)<\/div>\n        <div class=\"card_carousel_text\">'Flowers stroll through the gardens of Mohamad Azize.' Most artists find a winning formula and stick to it \u2014 this profile catches him doing the opposite, deliberately refusing to repeat past success across a career that's carried his work from Beirut to Kuwait, Jordan, Bahrain, Syria, Iraq and London. (Note: the masthead visible on this scan reads a different weekly than the filename suggests \u2014 worth double-checking the exact publication name before publishing.)<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item28\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-b91a0ee\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0645\u0633\u062a\u0642\u0628\u0644-\u0627\u0644\u0639\u062f\u062f-209-21-\u0634\u0628\u0627\u0637-1981_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0645\u0633\u062a\u0642\u0628\u0644-\u0627\u0644\u0639\u062f\u062f-209-21-\u0634\u0628\u0627\u0637-1981_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0645\u0633\u062a\u0642\u0628\u0644 - \u0627\u0644\u0639\u062f\u062f 209-21 \u0634\u0628\u0627\u0637 1981_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Between Roots and Quest: A Vision for the Future of Lebanese Art (Al-Mustaqbal Magazine (Issue No. 209) \u2014 February 21, 1981)<\/div>\n        <div class=\"card_carousel_text\">Paul Shawoul asked a hard question in 1981: can Lebanese artists absorb Western modernism without losing themselves? Mohamad Azize's answer, tracing his own path from academic training through the 'Group of Ten' to the shadows of war, doesn't flinch.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item29\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-d6c68a0\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0645\u0639\u0631\u0636-\u0641\u064a-\u0635\u0627\u0644\u0629-\u0628\u0644\u0627-\u0646\u0648\u0644\u0627-\u0627\u0644\u064a\u0633\u0627\u0631-\u0635\u0627\u062d\u0628\u0647\u0627-\u062c\u0648\u0631\u062c-\u0627\u0644\u0632\u0639\u0646\u064a-\u0645\u062c\u0644\u0629-\u0627\u0644\u062f\u0633\u062a\u0648\u0631-\u063549-48-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646-\u0634\u0628\u0627\u0637-1981_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0645\u0639\u0631\u0636-\u0641\u064a-\u0635\u0627\u0644\u0629-\u0628\u0644\u0627-\u0646\u0648\u0644\u0627-\u0627\u0644\u064a\u0633\u0627\u0631-\u0635\u0627\u062d\u0628\u0647\u0627-\u062c\u0648\u0631\u062c-\u0627\u0644\u0632\u0639\u0646\u064a-\u0645\u062c\u0644\u0629-\u0627\u0644\u062f\u0633\u062a\u0648\u0631-\u063549-48-\u0641\u064a\u0635\u0644-\u0633\u0644\u0637\u0627\u0646-\u0634\u0628\u0627\u0637-1981_page-0001-768x1086.jpg\" alt=\"\u0627\u0644\u0645\u0639\u0631\u0636 \u0641\u064a \u0635\u0627\u0644\u0629 \u0628\u0644\u0627 \u0646\u0648\u0644\u0627-\u0627\u0644\u064a\u0633\u0627\u0631-\u0635\u0627\u062d\u0628\u0647\u0627 \u062c\u0648\u0631\u062c \u0627\u0644\u0632\u0639\u0646\u064a-\u0645\u062c\u0644\u0629 \u0627\u0644\u062f\u0633\u062a\u0648\u0631-\u063549-48-\u0641\u064a\u0635\u0644 \u0633\u0644\u0637\u0627\u0646-\u0634\u0628\u0627\u0637 1981_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Light That Liberates the Gaze (Ad-Dustour Magazine \u2014 February 1981)<\/div>\n        <div class=\"card_carousel_text\">The same exhibition, a longer look: Ad-Dustour gave Faisal Sultan more room to unpack 'Color and Horizon,' and he uses it to argue Azize was never just painting the Lebanese landscape \u2014 he was chasing its vanishing soul.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item30\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-798170e\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0646\u0647\u0627\u0631-\u0627\u0644\u0623\u062d\u062f-208-1981-\u0646\u0632\u064a\u0647-\u062e\u0627\u0637\u0631_page-0001-768x1248.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0627\u0644\u0646\u0647\u0627\u0631-\u0627\u0644\u0623\u062d\u062f-208-1981-\u0646\u0632\u064a\u0647-\u062e\u0627\u0637\u0631_page-0001-768x1248.jpg\" alt=\"\u0627\u0644\u0646\u0647\u0627\u0631 \u0627\u0644\u0627\u0654\u062d\u062f 208-1981 \u0646\u0632\u064a\u0647 \u062e\u0627\u0637\u0631_page-0001\" width=\"768\" height=\"1248\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Journey to the Essence of Style (An-Nahar Newspaper \u2014 August 1981)<\/div>\n        <div class=\"card_carousel_text\">Forty-two canvases, one gallery, and a critic weighing something harder to measure than talent: Nazih Khater's 1981 An-Nahar review asks whether Azize's early chromatic gift comes too easily \u2014 or whether that ease is exactly the discipline.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item31\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-4f6e1cb\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u062c\u0631\u064a\u062f\u0629-\u0627\u0644\u0643\u0641\u0627\u062d-\u0627\u0644\u0639\u0631\u0628\u064a-1981-\u0643\u0627\u0646\u0648\u0646-\u0627\u0644\u062b\u0627\u0646\u064a_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u062c\u0631\u064a\u062f\u0629-\u0627\u0644\u0643\u0641\u0627\u062d-\u0627\u0644\u0639\u0631\u0628\u064a-1981-\u0643\u0627\u0646\u0648\u0646-\u0627\u0644\u062b\u0627\u0646\u064a_page-0001-768x1086.jpg\" alt=\"\u062c\u0631\u064a\u062f\u0629 \u0627\u0644\u0643\u0641\u0627\u062d \u0627\u0644\u0639\u0631\u0628\u064a 1981 \u0643\u0627\u0646\u0648\u0646 \u0627\u0644\u062b\u0627\u0646\u064a_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Shock of Reality: Art in Crisis (Al-Kifah Al-Arabi Newspaper \u2014 January 1981)<\/div>\n        <div class=\"card_carousel_text\">A young art scene in crisis, and one artist's answer to it: Omar Qaisi's 1981 feature follows Mohamad Azize through three distinct phases \u2014 academic training, portraiture, and a harder-edged geometric response to a country in flux.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item32\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-025b28a\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607490_page-0001-768x543.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607490_page-0001-768x543.jpg\" alt=\"SKM_C45826051607490_page-0001\" width=\"768\" height=\"638\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">A Tribute in Portraiture: Honoring a Life of Letters (Harmoun Newspaper (Issue No. 282) \u2014 June 20, 2006)<\/div>\n        <div class=\"card_carousel_text\">This piece is actually a tribute feature honoring poet and researcher Dr. Ali Chalak \u2014 Mohamad Azize appears only as the artist who painted the portrait gifted to him at the ceremony.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item33\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-825017a\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0634\u0628\u0627\u0628-\u0646\u064a\u0648\u0632-\u062d\u0648\u0627\u0631-\u0628\u064a\u0627\u0644\u0627-\u0627\u0644\u0623\u0641\u0631\u062d_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0634\u0628\u0627\u0628-\u0646\u064a\u0648\u0632-\u062d\u0648\u0627\u0631-\u0628\u064a\u0627\u0644\u0627-\u0627\u0644\u0623\u0641\u0631\u062d_page-0001-768x1086.jpg\" alt=\"\u0634\u0628\u0627\u0628 \u0646\u064a\u0648\u0632 \u062d\u0648\u0627\u0631 \u0628\u064a\u0627\u0644\u0627 \u0627\u0644\u0627\u0654\u0641\u0631\u062d_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Language of Color: How a Palette Shifts Across Decades (Shabab News Magazine \u2014 Archival Feature)<\/div>\n        <div class=\"card_carousel_text\">'How do your colors change from year to year?' A rare interview built entirely around one question \u2014 color itself \u2014 tracing how his palette has shifted across decades of work.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item34\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-7830f11\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0635\u0648\u062a-\u0627\u0644\u0641\u064a\u062d\u0627\u0621-\u0623\u0630\u0627\u0631-1995_page-0001-768x1087.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0635\u0648\u062a-\u0627\u0644\u0641\u064a\u062d\u0627\u0621-\u0623\u0630\u0627\u0631-1995_page-0001-768x1087.jpg\" alt=\"\u0635\u0648\u062a \u0627\u0644\u0641\u064a\u062d\u0627\u0621 - \u0627\u0654\u0630\u0627\u0631 1995_page-0001\" width=\"768\" height=\"1087\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Layers of Memory: Why One Canvas Hides Another Beneath (Sawt Al-Fayha Publication \u2014 March 1995)<\/div>\n        <div class=\"card_carousel_text\">'Painting behind painting.' Why does one canvas hide another underneath? This piece gets to the heart of his method \u2014 the artist explains why he'll rework a finished piece again and again until it's right, and why his flower still lifes are never quite as simple as they look.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item35\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-873b210\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0639\u0644\u064a-\u0641\u0642\u0646\u062f\u0634-\u062c\u062f\u0629-2000_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0639\u0644\u064a-\u0641\u0642\u0646\u062f\u0634-\u062c\u062f\u0629-2000_page-0001-768x1086.jpg\" alt=\"\u0639\u0644\u064a \u0641\u0642\u0646\u062f\u0634 - \u062c\u062f\u0629 2000_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">A Two-Decade Journey: From Tripoli to Saudi Arabia (Press Feature (Jeddah) \u2014 2000)<\/div>\n        <div class=\"card_carousel_text\">Two decades separate his first steps as a founding member of Tripoli's 'Group of Ten' from this solo show in Saudi Arabia \u2014 and this write-up covers the whole distance in between, exhibition by exhibition.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item36\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-085b37d\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u062c\u0644\u0629-\u0627\u0644\u062d\u064a\u0627\u0629-\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-\u0623\u064a\u0627\u0631-1994-\u0645\u0647\u0649-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u062c\u0644\u0629-\u0627\u0644\u062d\u064a\u0627\u0629-\u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621-\u0623\u064a\u0627\u0631-1994-\u0645\u0647\u0649-\u0633\u0644\u0637\u0627\u0646_page-0001-768x1086.jpg\" alt=\"\u0645\u062c\u0644\u0629 \u0627\u0644\u062d\u064a\u0627\u0629 - \u0627\u0644\u062b\u0644\u0627\u062b\u0627\u0621 \u0627\u0654\u064a\u0627\u0631 1994-\u0645\u0647\u0649 \u0633\u0644\u0637\u0627\u0646_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Heritage or Avant-Garde: Where Tradition Meets Experiment (Al-Hayat Magazine \u2014 May 1994)<\/div>\n        <div class=\"card_carousel_text\">Heritage or avant-garde \u2014 does he have to choose? A probing conversation with the artist about where tradition ends and experimentation begins in his work.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item37\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-9e23324\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u062c\u0644\u0629-\u0627\u0644\u0646\u0647\u0627\u0631-\u0634\u0628\u0627\u0637-1995_page-0001-768x1086.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u062c\u0644\u0629-\u0627\u0644\u0646\u0647\u0627\u0631-\u0634\u0628\u0627\u0637-1995_page-0001-768x1086.jpg\" alt=\"\u0645\u062c\u0644\u0629 \u0627\u0644\u0646\u0647\u0627\u0631-\u0634\u0628\u0627\u0637 1995_page-0001\" width=\"768\" height=\"1086\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Hunting for Memory: Art That Reaches Deeper Than Technique (An-Nahar Magazine \u2014 February 1995)<\/div>\n        <div class=\"card_carousel_text\">He's chasing something bigger than technique: memory itself. This feature looks at how Azize pushes his art past realism, hunting for the emotional residue history leaves behind.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item38\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-c5060dc\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607490_page-0001-768x543.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/SKM_C45826051607490_page-0001-768x543.jpg\" alt=\"SKM_C45826051607490_page-0001\" width=\"768\" height=\"638\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Path to Singularity: Beyond the Group of Ten (Funoun Magazine (Issue No. 133) \u2014 1981)<\/div>\n        <div class=\"card_carousel_text\">Reviewing his 1981 exhibition at the 'Al-Yassar' gallery, this Funoun feature captures Mohamad Azize stepping out of the collective shadow of Tripoli\u2019s 'Group of Ten,' mesmerized by celestial blues, sea greens, and a relentless, poetic quest for complete artistic autonomy.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item39\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-24cf780\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u0639\u0631\u0636-\u0628\u062e\u0639\u0627\u0646\u064a-1996-1995-_page-0001-768x1109.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u0639\u0631\u0636-\u0628\u062e\u0639\u0627\u0646\u064a-1996-1995-_page-0001-768x1109.jpg\" alt=\"\u0645\u0639\u0631\u0636 \u0628\u062e\u0639\u0627\u0646\u064a 1996-1995 _page-0001\" width=\"768\" height=\"1109\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">Smitten with Purity: Sea, Stone, and Sky in Singular Harmony (Exhibition Review \/ Catalog \u2014 1995\u20131996)<\/div>\n        <div class=\"card_carousel_text\">A French critic calls it poetry with rigor: Azize takes the sea, the stone, the sky \u2014 and dissolves them into pure, singular color harmonies that refuse to follow anyone else's rules. An artist 'smitten with purity' who builds surprising universes from precision alone.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item40\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-6650f7f\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u0646-\u0628\u064a\u0627-\u0646\u0627\u0644\u064a-\u0633\u0639\u0627\u062f-\u0627\u0644\u0635\u0628\u0627\u062d-\u0641\u0646\u0627\u0646\u064a\u0646-\u0627\u0644\u0639\u0631\u0628-\u062c\u0631\u064a\u062f\u0629-\u0627\u0644\u0623\u0646\u0628\u0627\u0621-2017_page-0001-768x543.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u0646-\u0628\u064a\u0627-\u0646\u0627\u0644\u064a-\u0633\u0639\u0627\u062f-\u0627\u0644\u0635\u0628\u0627\u062d-\u0641\u0646\u0627\u0646\u064a\u0646-\u0627\u0644\u0639\u0631\u0628-\u062c\u0631\u064a\u062f\u0629-\u0627\u0644\u0623\u0646\u0628\u0627\u0621-2017_page-0001-768x543.jpg\" alt=\"\u0645\u0646 \u0628\u064a\u0627 \u0646\u0627\u0644\u064a \u0633\u0639\u0627\u062f \u0627\u0644\u0635\u0628\u0627\u062d \u0641\u0646\u0627\u0646\u064a\u0646 \u0627\u0644\u0639\u0631\u0628 \u062c\u0631\u064a\u062f\u0629 \u0627\u0644\u0627\u0654\u0646\u0628\u0627\u0621 2017_page-0001\" width=\"768\" height=\"543\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">International Acclaim: Triumph at the Kuwait Biennial (Al-Anbaa Newspaper \u2014 2017)<\/div>\n        <div class=\"card_carousel_text\">Even in his later years, he was still competing on the international stage \u2014 named among the winners at Kuwait's prestigious Souad Al-Sabah Biennial for Arab Artists in 2017, alongside more than 50 artists from across the region.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n\n\n<div id=\"uc_card_carousel_elementor_9a1e05f_item41\" class=\"uc_classic_carousel_container_holder ue-item elementor-repeater-item-f59199c\" data-hide-item=\"false\">  \n  <div class=\"ue-carousel-item\">\n    \n        \n    \n          <div class=\"uc_classic_carousel_placeholder\">\n        <a href=\"&#x23;\" title=\"Al-Yassar Gallery Exhibition Review (Samir Al-Sayegh) \u2014 February 1981\" >          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u0646-\u0645\u0639\u0631\u0636-\u0627\u0644\u064a\u0633\u0627\u0631-\u0634\u0628\u0627\u06371981-\u0633\u0645\u064a\u0631-\u0627\u0644\u0635\u0627\u064a\u063a_page-0001-768x555.jpg\"  src=\"https:\/\/mohamadazize.com\/wp-content\/uploads\/2026\/06\/\u0645\u0646-\u0645\u0639\u0631\u0636-\u0627\u0644\u064a\u0633\u0627\u0631-\u0634\u0628\u0627\u06371981-\u0633\u0645\u064a\u0631-\u0627\u0644\u0635\u0627\u064a\u063a_page-0001-768x555.jpg\" alt=\"\u0645\u0646 \u0645\u0639\u0631\u0636 \u0627\u0644\u064a\u0633\u0627\u0631-\u0634\u0628\u0627\u06371981-\u0633\u0645\u064a\u0631 \u0627\u0644\u0635\u0627\u064a\u063a_page-0001\" width=\"768\" height=\"555\">\n        <\/a>              <\/div>\n    \n    <div class=\"uc_classic_carousel_content\" style=\"direction:ltr;\">    \n\n      \n          <div  class=\"card_carousel_title\">The Northern Light: Landscapes Filtered Through Bold New Hues (Al-Yassar Gallery Exhibition Review (Samir Al-Sayegh) \u2014 February 1981)<\/div>\n        <div class=\"card_carousel_text\">A stroll for the eyes \u2014 critic Samir Al-Sayegh reviews his 'Al-Ashra' group show and solo exhibition, tracing how mountains, sea, and northern light get filtered through blue, coral, and unexpected color choices most Lebanese landscape painters wouldn't dare try.<\/div>      \t\n\n      \t\n      \n    <\/div>\n    \n  <\/div>\n<\/div>\n\n  <\/div>\n<\/div>\n<!-- end Card Carousel -->\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Coupures de presse C\u00e9l\u00e9br\u00e9 dans la presse locale et internationale, Mohamad Azize partage \u00e0 travers son art une philosophie fa\u00e7onn\u00e9e par la nature, les r\u00eaves et les moments marquants de l&#8217;histoire et de la vie. C\u00e9l\u00e9br\u00e9 dans la presse locale et internationale, ainsi que dans des magazines et des revues culturelles, Mohamad Azize a, tout [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_glsr_average":0,"_glsr_ranking":0,"_glsr_reviews":0,"footnotes":""},"class_list":["post-30596","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Coupures de presse - Mohamad Azize<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mohamadazize.com\/fr\/coupures-de-presse-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Coupures de presse - Mohamad Azize\" \/>\n<meta property=\"og:description\" content=\"Coupures de presse C\u00e9l\u00e9br\u00e9 dans la presse locale et internationale, Mohamad Azize partage \u00e0 travers son art une philosophie fa\u00e7onn\u00e9e par la nature, les r\u00eaves et les moments marquants de l&#8217;histoire et de la vie. 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